mmmmm the Émile Bravo blog is moving blogging services and so they’re reuploading stuff from when he was very actively publishing.

Les Épatantes Aventures de Jules is literally everything I was seeking in a comic when I was younger and what a pleasant surprise it was that many of his comics are extremely sensitive and very much written for adult enjoyment too. The 5th album was really brilliant because it’s about Jules, a middle schooler, questioning if he really is the biological son of his father (his dad is cantekerous, dense, and verbally abusive). He gets sent to a sailing camp run by a trying-too-hard-to-be-hip priest when he and his best friend are caught skipping class (to watch Moby Dick in an independent film house of all places). It’s a sci-fi, philosophy series in terms of focus and they’re easy reads with just lots of really funny, charming, sensitive stuff. Atheist preteens debating faith with a priest, Jules feeling self-conscious his girlfriend is going through puberty before him, his brother getting shot in the butt during a forced hunting trip with his dad (to which Jules is a moral objector), etc, etc. There’s a lot of little very accessible mini lessons inside each album, from explaining instantaneous travel using Einstein’s theory of relativity, mammalian cloning, classic Mendelian genetics. They’re still ostensibly young adult comics and I would definitely want to raise a child on these.

Anyways, what was really a treat for me were these header comics when the 5th album was in serialization in Spirou. Émile Bravo did a stupendous job in his Spirou one-shot playing with the puritanical roots of Spirou and it’s fun to see a puritanical character (Spirou) and a humanist character (Jules) discuss Émile Bravo’s own work in meta as if they were watching the comic. There’s like 20 strips but these are the first 10. 

I found a set of 1990s comics that were a collab between my two favorite comic artists, Fabrice Tarrin and Émile Bravo!! It’s surprising to see Tarrin draw in such an angular style but you can definitely see Bravo’s finger prints all over these. Maybe Tarrin was drawing based on Bravo’s thumbnails, since he writes by drawing.

sansansuu:

trailer for KAIROS

yeah just have the whole thing the animation is incredible.. * ___ *

here is the creator, Ulysse Malassagne’s blog too

(via asswara)

9emeart:

Autoportrait, 1947
Hergé

Fun fact during the couple of albums prior to Tintin in Tibet Herge was suffering from horrible depression and anxiety caused by Tintin deadlines weren’t making it easier for him. He would often draw these little editorial cartoons of him being whipped or chained to his desk by Tintin to express his frustration with the series. In desperation and loneliness Herge tried to contact real-life Tchang Tchongren with whom he had lost contact for decades (he was often alluded to as Herge’s repressed love interest but he was still a very dear and intimate friend to him regardless). This served as inspiration for Tintin in Tibet in which Tintin tries to reconnect with the fictional Tchang. That album is one of the more successful and critically acclaimed of the series because of the degree of emotion normally absent in Tintin comics!

9emeart:

Autoportrait, 1947

Hergé

Fun fact during the couple of albums prior to Tintin in Tibet Herge was suffering from horrible depression and anxiety caused by Tintin deadlines weren’t making it easier for him. He would often draw these little editorial cartoons of him being whipped or chained to his desk by Tintin to express his frustration with the series. In desperation and loneliness Herge tried to contact real-life Tchang Tchongren with whom he had lost contact for decades (he was often alluded to as Herge’s repressed love interest but he was still a very dear and intimate friend to him regardless). This served as inspiration for Tintin in Tibet in which Tintin tries to reconnect with the fictional Tchang. That album is one of the more successful and critically acclaimed of the series because of the degree of emotion normally absent in Tintin comics!

(via anolecannoli)

ca-tsuka:

Previews of “Le Monde de Milo” comic-book.

Drawn by french artist Christophe Ferreira, who work in Japan since many years as animator on Mine Fujiko to Iu Onna and Lupin III tv specials, Genius Party, Uchuu Kyoudai, Magic Tree House, Bleach, Wakfu’s Nox and Ogrest tv specials ….

(via marazione)

cinabre:

March for LGBT rights today in Angouleme, France.
Angouleme is famous for the International Comics festival (FIBD), which starts in less than 2 weeks. So of course, here is the truck used in the march! ^^ In the background it’s the town hall.
+ a close-up on the drawings. Notice the rings on the hands of the characters.
I think the best one is the one with the smurfette, because it mocks the fact that the smurfette is the only female in the smurfs world. She’s not alone anymore. ^^

9emeart:

Jo, Zette et Jocko - Le Manitoba ne répond plus, 1936
Hergé

this is really cute dang I wanna try some non-Tintin Hergé

9emeart:

Jo, Zette et Jocko - Le Manitoba ne répond plus, 1936

Hergé

this is really cute dang I wanna try some non-Tintin Hergé

bouletcorp:

Broken Robot #Astro

bouletcorp:

Broken Robot #Astro

leseanthomas:

Just discovered French Comic Artist Richard Marazano and artist XIAO SHANG and their book, S.A.M. THIS is why i love comic books. Amazing storytelling, awesome character designs and acting, compelling colors, brilliant draftsmanship and short-hand. I wished Mainstream comics were like this. I’d buy them. 

(via hugu)

(Source: bibeim)

it sucks how much I love Conrad Didier’s artwork but can’t get over the fact that he works with Yann to write really racist, sexist, exoticist comics / __ \

it sucks how much I love Conrad Didier’s artwork but can’t get over the fact that he works with Yann to write really racist, sexist, exoticist comics / __ \

click to read (24 hour comic)

click to read (24 hour comic)

sloaneohno:

docshaner:

I love these 4 pages from the 21st volume of Alain Dodier’s Jérôme K. Jérôme Bloche. I can’t understand a word of the dialogue, but I don’t need to. Admittedly, part of my admiration for this sequence may have to do with my own little girl, but that doesn’t change how well constructed and drawn this is.

yes beautifulll

(via sleepysounds)